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Music & Subcultures

City Serves Noise Collective Cease-And-Desist After 14-Minute Drone Convinces Water Pump It Is Being Blended

Silverdale’s Department of Public Works formally asks The Synchronous Screamers to stop making the municipal pipes think they are inside a kitchen appliance.

Illustration: a corporate growth chart with graffiti on it for SonicCompliance, which is not a real company.

We cannot allow avant-garde art to convince the water main that it is a smoothie.

SILVERDALE, MT — A 14-minute feedback loop played by local noise collective The Synchronous Screamers on Tuesday afternoon forced the municipal water distribution grid to initiate an emergency puree protocol. According to a 42-page incident report filed by the Department of Public Works, the band’s sustained 112-decibel E-flat caused the pressure sensors at the Elm Street pumping station to register a false viscosity event. For exactly three minutes, the city’s main water line diverted 14,000 gallons of treated drinking water into a nearby storm drain because the system believed the reservoir was full of diced carrots.

The incident occurred during the climax of a set titled Hydro-Acoustic Liquefaction, performed at The Bean & Byte, a 38-seat café that mandates customers purchase a $7 oat milk flat white to use the Wi-Fi. Lead synth-operator Jaxen Harlow, 28, was midway through a sequence involving a contact microphone taped to a damp sponge when the café’s automated fire suppression system activated. Harlow reportedly paused the set to ask the 11 paying attendees, “Are we hydrating the infrastructure, or is the infrastructure hydrating us?” before being evacuated via the loading dock.

The merchandise

The Synchronous Screamers, who describe their sound as “post-industrial compost-ambient,” sold merch at the show that exacerbated the municipal damage. Their table featured limited-edition cassette tapes made of compressed peat moss that dissolve into a sludge after exactly 47 listens, and a stack of “silence stickers” that the band claims will mute any environment if applied to a load-bearing wall. Most problematic for the city was a stack of flyers printed on seed paper, which prompted three audience members to plant the cease-and-desist warnings in the café’s ficus plant, resulting in an unauthorized growth of invasive noise-weed.

The ordinance

Silverdale City Council convened an emergency Tuesday night session to draft Ordinance 884-B, which explicitly bans “any auditory output that causes municipal plumbing to question its own state of matter.” Councilmember Darrin Kessler read the 14-page document aloud, pausing only to drink from a glass of tap water that he first inspected for root vegetables.

“Your band’s feedback loop registered at 115 decibels and caused the Elm Street pump’s piezoelectric array to attempt a pulse,” Kessler told Harlow, who was seated in the gallery wearing a helmet made of recycled dryer lint. “We cannot allow avant-garde art to convince the water main that it is a smoothie.”

Dr. Selene Armitage, senior analyst at the Institute for the Acoustic Containment of Municipal Plumbing, testified that the band had accidentally discovered “resonant puree frequencies.” Armitage presented a 300-page study proving that a sustained F-sharp played through a damp sponge can trick a cast-iron pipe into believing it is inside a commercial-grade puree vat.

The counter-suit

In response to the cease-and-desist, The Synchronous Screamers filed a $99,999 counter-claim for “creative suppression” and demanded the city provide them with a complimentary, uninterrupted supply of filtered water for their next gig. The city’s legal department denied the request, noting that the only water the band is legally allowed to interact with is the moisture currently trapped inside their peat-moss cassettes.

The band has since announced a month-long “Silence Tour” to protest the ruling. Their first performance will take place in a soundproofed storage closet at the Silverdale Public Library, where they will perform a three-hour set consisting entirely of a single 9-volt battery slowly corroding inside a tin can.

“The silence will be louder than any feedback we’ve ever produced,” Harlow said, adjusting his lint helmet. “We are listening to the sound of our own compliance.”

Following the press conference, the band attempted to demonstrate their new silent sound by placing a 9-volt battery inside a city-issued glass of tap water. The water immediately began to fizz, prompting the library’s automated sprinkler system to flood the children’s section.

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